The human colony on the planet Argo has long explored and exploited the technology left behind by an extinct alien race. But then an archaeology team accidentally activates a terrible weapon... Read More.
Praise for Star Dragon
"Seldom does a storytelling talent come along as potent and fully mature as Mike Brotherton. His complex characters take you on a voyage that is both fiercely credible and astonishingly imaginative. This is Science Fiction."
-- David Brin
"Star Dragon is terrific fare, offering readers a fusion of hard science and grand adventure."
-- Locus Magazine
"Star Dragon is steeped in cosmology, the physics of interstellar travel, exobiology, artificial intelligence, bioscience. Brotherton, author of many scientific articles in refereed journals, has written a dramatic, provocative, utterly convincing hard science sf novel that includes an ironic twist that fans will love."
-- Booklist starred review
"Readers hungry for the thought-provoking extrapolation and rigorous technical detail of old-fashioned hard SF are sure to enjoy astronomer Brotherton's first novel."
-- Publishers Weekly
"Mike Brotherton, himself a trained astrophysicist, combines the technical acuity and ingenuity of Robert Forward with the ironic, postmodern stance and style of M. John Harrison. In this, his debut novel, those twin talents unite to produce a work that is involving on any number of levels. It's just about all you could ask for in a hardcore SF adventure."
-- Paul di Fillippo, SCI-FI.COM
I watched the premiere of the new Neil de Grasse Tyson-hosted version of Cosmos tonight on Fox.
The goal was to update the science of Carl Sagan’s show — we have learned a lot in the last 30+years — and present it in as entertaining way as possible. Tyson says:
“The goal is to convey why science matters to the person, to our society, to us as shepherds of this planet. It involves presenting science in ways that connect to you, so Cosmos can influence you not only intellectually but emotionally, with a celebration of wonder and awe,” says Tyson. “Science should be part of everybody’s life. The prerequisite is not that you become a scientist. It’s that at the end of the series, you will embrace science and recognize its role in who and what you are.”
I strongly agree with those goals, and the show was for the most part visually striking and fun. While I had some concerns about the animated sequence showing Bruno’s execution for proposing a view of the universe that the Catholic Church did not agree with, the story was largely correct.
Where I want to criticize is in some scientific and technical details that the show just got wrong. I can forgive other kinds of errors, but this is really a show that needs to get these correct. If you see inaccuricies here, you can’t really trust anything, can you? This isn’t a professor answering a question off the cuff in public in realtime; this is an expensive, polished show with plenty of time and cause to be factually accurate.
Here are three points I thought were largely or totally wrong that need correction. I’ll take this opportunity for a teaching moment.
1. The graphics showing the asteroid belt, and the Kuiper belt, did not reflect reality. It showed a high density of large objects that would appear to crash into each other regularly. This is the same misconception that The Empire Strikes Back fell into. While there are systems of gravitationally bound asteroids (e.g., binaries, “rubble piles,” etc.), the general case is that you could fly a spacecraft through them a thousand times and not only not hit anything, you’d not be likely to even see anything. This was just an error and reinforces misconceptions.
2. Tyson referred to using night vision technology to see into the (thermal) infrared — cool objects in the universe. Wrong. While night vision does see slightly into the near-infrared (about 1 microns), it is primarily a light amplification technology. Thermal imagers are what we use to see cool dust, gas, and the coolest stars. Compare both technologies here.
3. Tyson, discussing the Big Bang, repeats a commonly held misconception that is wrong. He said that the entire universe came from a point smaller than an individual atom. If he’d used the modifier “observed” or “observable” in front of universe, I’d have given him a pass. But after making such a big deal about infinity earlier in the episode and bringing up the point of only part of the universe being observable, I can only call this a significant error. The reality is that if the universe is infinite today (and indications are that it is, and that is the adopted standard model), and therefore could never have been finite in size. Think about it. How do you change something from a finite size to an infinite size? The answer is that you don’t. A better way of thinking about the Big Bang was that the universe approached infinite density, but without approaching zero size.
So while I am pleased to see a show like Cosmos back on network TV in a good timeslot, I am worried that the quality control is lacking. I don’t know who gets input into the scripts and graphics, or who gets final say, but they’re not doing a good enough job in my opinion. If I were teaching astronomy 101 or cosmology this semester, I’d be discussing these points in my class — as well as assigning the show as homework.
Here are the nominees this year, and I will put Launch Pad people in bold. I’ve been impressed with the applicants every year I’ve run the workshop, and some who were not yet seasoned award contenders have become such since Launch Pad (I can’t take much credit there). No, they’re not all writing a lot of astronomy/space physics into their work, but some are, and I’m very proud of that. Pat Cadigan directly credited the workshop with inspiration and confidence for writing her Hugo-award-winning story “The Girl-Thing Who Went Out for Sushi.”
We’re still open for applications for the summer 2014 workshop being held in Laramie from July 13-20 this year.
2013 Nebula Nominees Announced
Science Fiction and Fantasy Writers of America are pleased to announce the 2013 Nebula Awards nominees (presented 2014), the nominees for the Ray Bradbury Award for Outstanding Dramatic Presentation, and the nominees for the Andre Norton Award for Young Adult Science Fiction and Fantasy.
We Are All Completely Beside Ourselves, Karen Joy Fowler (Marian Wood)
The Ocean at the End of the Lane, Neil Gaiman (Morrow; Headline Review)
Fire with Fire, Charles E. Gannon (Baen)
Hild, Nicola Griffith (Farrar, Straus and Giroux)
Ancillary Justice, Ann Leckie (Orbit US; Orbit UK) The Red: First Light, Linda Nagata (Mythic Island) A Stranger in Olondria, Sofia Samatar (Small Beer)
The Golem and the Jinni, Helene Wecker (Harper)
‘‘Wakulla Springs,’’ Andy Duncan & Ellen Klages (Tor.com 10/2/13) ‘‘The Weight of the Sunrise,’’ Vylar Kaftan (Asimov’s 2/13)
‘‘Annabel Lee,” Nancy Kress (New Under the Sun)
‘‘Burning Girls,’’ Veronica Schanoes (Tor.com 6/19/13)
‘‘Trial of the Century,’’ Lawrence M. Schoen (lawrencemschoen.com, 8/13; World Jumping)
Six-Gun Snow White, Catherynne M. Valente (Subterranean)
‘‘Paranormal Romance,’’ Christopher Barzak (Lightspeed 6/13)
‘‘The Waiting Stars,’’ Aliette de Bodard (The Other Half of the Sky) ‘‘They Shall Salt the Earth with Seeds of Glass,’’ Alaya Dawn Johnson (Asimov’s 1/13)
‘‘Pearl Rehabilitative Colony for Ungrateful Daughters,’’ Henry Lien (Asimov’s 12/13)
‘‘The Litigation Master and the Monkey King,’’ Ken Liu (Lightspeed 8/13)
‘‘In Joy, Knowing the Abyss Behind,’’ Sarah Pinsker (Strange Horizons 7/1 – 7/8/13)
Best Short Story
‘‘The Sounds of Old Earth,’’ Matthew Kressel (Lightspeed 1/13)
‘‘Selkie Stories Are for Losers,’’ Sofia Samatar (Strange Horizons 1/7/13)
‘‘Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer,’’ Kenneth Schneyer (Clockwork Phoenix 4) ‘‘If You Were a Dinosaur, My Love,’’ Rachel Swirsky (Apex 3/13)
‘‘Alive, Alive Oh,’’ Sylvia Spruck Wrigley (Lightspeed 6/13)
Ray Bradbury Award for Outstanding Dramatic Presentation
Doctor Who: ‘‘The Day of the Doctor’’ (Nick Hurran, director; Steven Moffat, writer) (BBC Wales)
Europa Report (Sebastián Cordero, director; Philip Gelatt, writer) (Start Motion Pictures) Gravity (Alfonso Cuarón, director; Alfonso Cuarón & Jonás Cuarón, writers) (Warner Bros.) (Past Guest Instructor Kevin Grazer was the science advisor.)
Her (Spike Jonze, director; Spike Jonze, writer) (Warner Bros.)
The Hunger Games: Catching Fire (Francis Lawrence, director; Simon Beaufoy & Michael deBruyn, writers) (Lionsgate)
Pacific Rim (Guillermo del Toro, director; Travis Beacham & Guillermo del Toro, writers) (Warner Bros.)
Andre Norton Award for Young Adult Science Fiction and Fantasy
The Coldest Girl in Coldtown, Holly Black (Little, Brown; Indigo)
When We Wake, Karen Healey (Allen & Unwin; Little, Brown)
Sister Mine, Nalo Hopkinson (Grand Central) The Summer Prince, Alaya Dawn Johnson (Levine)
Hero, Alethea Kontis (Harcourt)
September Girls, Bennett Madison (Harper Teen)
A Corner of White, Jaclyn Moriarty (Levine)
Damon Knight Grand Master Award: Samuel R. Delany
Special Guest: Frank M. Robinson
NASA/Tor Collaboration to Promote Science in Science Fiction
February 13th, 2014
I got this email from Robert Roten, President of the local astronomy group here in Laramie, about a discussion they’re having:
In William Forstchen’s new science fiction novel, “Pillar to the Sky,”there are no evil cyborgs, alien invasions or time travel calamities. The threat to humanity is far more pedestrian: tight-fisted bureaucrats who have slashed NASA’s budget.
The novel is the first in a new series of “NASA-Inspired Works of Fiction,” which grew out of a collaboration between the National Aeronautics and Space Administration and science fiction publisher Tor. The partnership pairs up novelists with NASA scientists and engineers, who help writers develop scientifically plausible story lines and spot-check manuscripts for technical errors.
The plot of Mr. Forstchen’s novel hinges on a multibillion-dollar effort to build a 23,000-mile-high space elevator—a quest threatened by budget cuts and stingy congressmen. Forthcoming novels in the series will explore asteroid mining, wormholes and astrobiology.
Fact-based science fiction may sound like a contradiction, or a poor marketing strategy, in a literary genre that typically celebrates flights of fantasy. But Tor and NASA say both stand to gain. Novelists get access to cutting-edge research and experts in obscure fields. A NASA official says that shaping science fiction offers “an innovative way to reach out to the public to raise awareness of what the agency is doing.”
NASA has been hosting novelists at its research facilities for multiday tours titled, “Science Fiction Meets Science Fact.” At one mixer, in October 2012, some 20 sci-fi writers mingled with NASA experts at the Goddard Space Flight Center in Maryland.
They toured the radar detector development lab, laser and electro-optics facility and cosmic ice laboratory.
“Getting a message across embedded in a narrative rather than as an overt ad or press release is a subtle way of trying to influence people’s minds,” says Charles Seife, author of “Decoding the Universe,” who has written about NASA’s efforts to rebrand itself. “It makes me worry about propaganda.”
Enidia Santiago-Arce, a NASA official who is coordinating the author-scientist exchanges, says the agency isn’t pushing pro-NASA story lines. The collaboration doesn’t include any NASA funding.
“They write whatever they want,” she said. “We provide them with people who have the expertise to help make it as accurate as it can be within the realms of science fiction.”
President, Laramie Astronomical Society and Space Observers (LASSO)
I didn’t know about this NASA effort to bring in novelists, but it seems very complementary to Launch Pad, and I’m going to look into it.
First, I wanted to let everyone know that Launch Pad is now accepting applications for the 2014 July 13-20th workshop until March 15. Please be encouraged to pass on the word to writers and other creators/editors who might want a crash course in modern astronomy with an emphasis on communicating scientific concepts.
I’m teaching a new class this semester (Physics 1 for Engineers) and it has been taking a lot of time to get up to speed here, keeping me from doing much more than the weekly link post. Hope that will change soon. I have various bits of news (e.g., new funding for Launch Pad and an opening application window) that I’d like to share, too, and will soon.
The coming avalanche of Chinese science. Mixed feelings about the article for me. Throwing money/people at a field really does help. Is it misguided here? Or is that wishful thinking from someone outside of China? I know that in my field, China just basically bought one of our top astronomers to establish a new world-class astrophysics center.
On correlation and causation… Funny and true! I just hate it, however, when climate change deniers try to use a similar but fatally flawed argument to dismiss the effects on CO2 and temperature. When there’s a known physical mechanism and a prediction of a correlation that is found at the right level, that’s actually evidence in favor of an effect, not meaningless. Still — Bite me, Jenny McCarthy. I’m organic!
Bill Nye to debate Ken Ham, Creation Museum founder. Mixed feelings on this, as public debates are far from the best way to determine factual information and this can only help legitimize Ken Ham, as fellow creationists will see him as the winner no matter what happens.
Why we should all fear the online mob. It’s a very disturbing trend. No matter how righteous your cause, I’m not going along any more. These mobs breed censorship, intolerance, and injustice, even when they claim that’s what they’re fighting. Here’s a real-life example, but luckily there’s only hypocrisy here, no ruined lives.